Archive for the ‘Belly Dance Clothes’ Category

A Trick of the Bellydancer’s Trade

Monday, February 1st, 2010

While talking with a musician friend of mine recently, he told me about a little ‘trick’ he uses to get himself to practice his guitar more often. Like most of us, he has a very busy schedule and often feels too distracted to think about practicing. To overcome this, he’ll leave his guitar in a very conspicuous place in his bedroom so that he sees it often and can easily pick it up to play it. This trick works well for him and he finds that he does practice more regularly because his guitar is not ‘out of sight and out of mind’.

We bellydancers can do the same trick using the tools of our trade. For example, belly dance hip scarves are beautiful with their colorful fabric and shiny coins. Draping them nicely in a noticeable area of our dancing space will catch our eye every time we enter the room. This will make it more likely that we’ll take a few moments to put our hip scarf on and dance a bit (and every little bit helps for exercise and stress reduction!).

We can also display our veils and finger cymbals where we can easily access them. They add a wonderful and exotic touch of décor to our living space and they help remind us that we are beautiful bellydancers. When our belly dance accessories are not ‘out of sight and out of mind’ they seem to call to us and to say, “Put me on – let’s belly dance!” And because they’re so much fun and so beautiful, we usually do.

Bellydancing In Stilettos

Sunday, January 3rd, 2010

There’re no hard, fast rules about what type of footwear must be worn for bellydancing. However, the fact that bellydancing is thousands of years old tells us that originally dancers did not wear high heels. The oldest depictions of bellydancers show dancers in bare feet or sandals and in fact, many modern day bellydancers (myself included) prefer to bellydance this way. Dancing with bare feet is natural and comfortable and is the healthiest for your body. When it’s not practical to bellydance bare footed, sandals or low-heeled shoes are the next best things.

Some times belly dance students are surprised and somewhat confused when they see a bellydancer performing in sky-high heels, or when they see photos of models in belly dancing costumes wearing tall stilettos. They can tell that it’s not a comfortable way to dance and isn’t based on tradition. While stilettos may look ‘sexy’, they can take a tremendous toll on your body. Here are some of the conditions that wearing high heels can cause: foot deformities (hammertoes, corns, calluses, “pump bump”), back problems, knee osteoarthritis (a painful, degenerative joint disease), ankle sprains and breaks, pain in the ball of the foot (metatarsalgia), and nerves tumors between the toes (neuromas). How sexy is that?!

I tend to look at the excessive wearing of very high heels as a modern version of Chinese foot binding. Because of the discomfort, pain and damage stilettos can do to the body, the only reason most women wear them is that they’ve been conditioned to see high heels as ‘sexy’. There’s nothing wrong with being sexy, but there’s a time and place for everything. So maybe for the occasional party, nightclub, or bedroom love fest, stilettos can be fun. At least in the bedroom, if they have the desired effect they won’t stay on your feet very long!

For bellydancing, your costume choices are yours to make. But if you recognize that a healthy body is what’s truly sexy, then you may want to ditch the stilettos. I imagine that someday in a more enlightened future, people will look at the fashions of today and wonder why women chose to totter around on the balls of their feet with sticks under their heels. I don’t want to be one of the women they shake their heads in bewilderment at. Especially when I’m bellydancing, I like to have my feet flat on the ground.

To Zil or Not to Zil

Friday, November 13th, 2009

Zils (or zills, finger cymbals, sagat, etc) are small brass cymbals that are worn on the fingers of bellydancers and are played in time to the music as she dances. Bellydance and other related forms of Middle Eastern dance are the only ones in the world that utilize metal finger cymbals as part of the dance. (Flamenco, with its Moorish roots, is somewhat similar with its wooden castanets).

There are some bellydance teachers who feel that playing finger cymbals is such an essential part of bellydancing that it must be taught to the beginning student right from the first lesson. However, there are many excellent bellydancers who can’t play zils, or who don’t care to play zils, and still qualify as accomplished bellydancers.

Personally, I feel that mastering finger cymbals is well worth the effort (and believe me, for most of us, it is an effort in the beginning!). There are many benefits to acquiring this skill, such as:
*Increased dexterity and strength in your fingers, hands, and arms.
*Stress reduction from focusing your mind on the counterpoint  between the music and your zils.
*Improved coordination between mind and body.
*Exhilaration, from finally mastering bellydancing with finger cymbals!

Another benefit to playing zils while dancing is how an audience reacts to it. Although most women who study bellydance don’t plan on performing publicly, if the occasion does arise, playing zils adds an impressive dimension. I’ve done many performances that won over an indifferent audience simply because I could move and play finger cymbals at the same time!

Unfortunately, bellydancing still has a bit of the ‘seductress’ image attached to it. That can be fine for nightclub, theatrical, or private performances, but it’s not appropriate for family audiences. For family audiences, playing zils takes people’s minds off that pre-conceived image and impresses on them the amount of dedication that goes into mastering the dance. They can see that it is a real art form, and seeing that helps focus their attention away from the dancer’s physical attributes and onto the artistic interplay of brass cymbals, music, and movement.

I do encourage my students to learn how to play finger cymbals, but I’m not a believer in having them use zils in their first lesson. I like to have the students get familiar with belly dance music and the basic belly dance movement vocabulary first. But once that’s accomplished, usually by the intermediate level, I encourage students to give finger cymbals a try. To zil or not to zil is a question that each dancer has a right to decide for herself. Either way, zils or no zils, her bellydancing can still be great.

Bellydancing and Reflexology

Friday, September 11th, 2009

Do you know that you can receive some of the benefits of reflexology by doing belly dance? Reflexology is a method of massaging and applying pressure to your feet to improve the health of your entire body. Different parts of your feet correspond to various organs and body functions, and manipulating your feet with pressure can affect these areas in a positive manner.

In most of our bellydance moves, we shift our weight throughout the feet, even when we’re doing our movements standing in place. For example, in a basic torso undulation, our weight will roll from our heel to toe as our upper torso rolls forward and back. During a hip circle, our weight will shift sequentially from the outside of our feet to the inside. In level changes, we can lift from flat feet to the balls of our feet, at which point, the balls of our feet are getting pressure from the entire weight of our body.

When my students practice bellydancing in the studio or at home, I encourage them to be barefoot (or to wear soft soled shoes, like ballet slippers). It’s good to keep the feet as relaxed as possible (especially the soles of the feet). This way, you have a better sense of your balance in relation to your connection to the ground and you can also feel the wonderful massaging action occurring in your feet as you dance.

Using pressure to manipulate the soles of the feet works through the body’s energetic pathways and affects all our major organs and glands. It’s even thought to release chemicals that balance the nervous system, reduces stress, and improve our circulation.

Needless to say, bellydancing doesn’t replace the skills of a trained reflexologist. But if you’d like some of the benefits, pay attention to your feet; take off your shoes and bellydance.