Archive for the ‘Belly Dance Costumes’ Category

A Trick of the Bellydancer’s Trade

Monday, February 1st, 2010

While talking with a musician friend of mine recently, he told me about a little ‘trick’ he uses to get himself to practice his guitar more often. Like most of us, he has a very busy schedule and often feels too distracted to think about practicing. To overcome this, he’ll leave his guitar in a very conspicuous place in his bedroom so that he sees it often and can easily pick it up to play it. This trick works well for him and he finds that he does practice more regularly because his guitar is not ‘out of sight and out of mind’.

We bellydancers can do the same trick using the tools of our trade. For example, belly dance hip scarves are beautiful with their colorful fabric and shiny coins. Draping them nicely in a noticeable area of our dancing space will catch our eye every time we enter the room. This will make it more likely that we’ll take a few moments to put our hip scarf on and dance a bit (and every little bit helps for exercise and stress reduction!).

We can also display our veils and finger cymbals where we can easily access them. They add a wonderful and exotic touch of décor to our living space and they help remind us that we are beautiful bellydancers. When our belly dance accessories are not ‘out of sight and out of mind’ they seem to call to us and to say, “Put me on – let’s belly dance!” And because they’re so much fun and so beautiful, we usually do.

Bellydancing In Stilettos

Sunday, January 3rd, 2010

There’re no hard, fast rules about what type of footwear must be worn for bellydancing. However, the fact that bellydancing is thousands of years old tells us that originally dancers did not wear high heels. The oldest depictions of bellydancers show dancers in bare feet or sandals and in fact, many modern day bellydancers (myself included) prefer to bellydance this way. Dancing with bare feet is natural and comfortable and is the healthiest for your body. When it’s not practical to bellydance bare footed, sandals or low-heeled shoes are the next best things.

Some times belly dance students are surprised and somewhat confused when they see a bellydancer performing in sky-high heels, or when they see photos of models in belly dancing costumes wearing tall stilettos. They can tell that it’s not a comfortable way to dance and isn’t based on tradition. While stilettos may look ‘sexy’, they can take a tremendous toll on your body. Here are some of the conditions that wearing high heels can cause: foot deformities (hammertoes, corns, calluses, “pump bump”), back problems, knee osteoarthritis (a painful, degenerative joint disease), ankle sprains and breaks, pain in the ball of the foot (metatarsalgia), and nerves tumors between the toes (neuromas). How sexy is that?!

I tend to look at the excessive wearing of very high heels as a modern version of Chinese foot binding. Because of the discomfort, pain and damage stilettos can do to the body, the only reason most women wear them is that they’ve been conditioned to see high heels as ‘sexy’. There’s nothing wrong with being sexy, but there’s a time and place for everything. So maybe for the occasional party, nightclub, or bedroom love fest, stilettos can be fun. At least in the bedroom, if they have the desired effect they won’t stay on your feet very long!

For bellydancing, your costume choices are yours to make. But if you recognize that a healthy body is what’s truly sexy, then you may want to ditch the stilettos. I imagine that someday in a more enlightened future, people will look at the fashions of today and wonder why women chose to totter around on the balls of their feet with sticks under their heels. I don’t want to be one of the women they shake their heads in bewilderment at. Especially when I’m bellydancing, I like to have my feet flat on the ground.

Sword Dance – The Cutting Edge

Monday, December 7th, 2009

I’ve produced many bellydance shows with a large variety of belly dance styles and one of the most consistently popular dances for audiences is the sword dance. In a sword dance, the performer manipulates a sword in dramatic ways, uses it to frame her belly dance movements, and balances it on various parts of her body while she’s in motion.

People often ask me if we use real (sharp!) swords. The answer is that it depends on the dancer, but usually decorative (not sharp) swords are used. However, there are exceptions.

The sword that I use for bellydancing is decorative, but it looks ‘real’. Even though it doesn’t have sharp edges, the point on it can do some damage and the sword itself is heavy. I learned the hard way that it must be kept away from people at performances, especially children. Everyone seems fascinated with the sword and people can get hurt playing with it, especially if they start swinging it around.

A real, sharp sword compounds the danger factor exponentially. I had a friend named Kali’ma (not her real name) who was a great dancer. She used a real sword and kept the edges sharp. She’d test it out every once in a while when she had to chop vegetables in her kitchen. I didn’t need to pick up her sword to know how sharp it was – I saw her cut herself during several different performances over the years. When blood runs, you know the sword is real.

One year I was a judge for a belly dance contest in Chicago, and Kali’ma was one of the contestants. For her performance, she did her sword dance. As a judge, I was sitting in the very first row, right in front of the stage. I got a little nervous when I first saw Kali’ma pull out her sword, but that was nothing compared to how I felt when she held the hilt in one hand in front of her and started spinning like a whirling dervish. At that point (no pun intended) I realized that if the sword slipped out of her sweaty little paw, I could end up like Marie Antoinette. I instinctively sunk low in my chair and kept my head down. At the end of her dance, I breathed a sigh of relief and looked around. To my surprise, the entire section of audience behind me had noticed my reaction, figured out Kali’ma’s sword was real, and hunkered down too!

I advocate individual choice when it comes to bellydancing styles. However, if a dancer really wants to dance with a sharp sword, I think it’s better she does it in private or else is very, very careful (as Kali’ma always was). Whether I’m bellydancing with a sword or sitting in an audience, a decorative sword that just looks like the real thing is edgy enough for me.

(The subject of this blog was suggested by my friend and student, Alicia Brown – kudos also to Kali’ma!)

To Zil or Not to Zil

Friday, November 13th, 2009

Zils (or zills, finger cymbals, sagat, etc) are small brass cymbals that are worn on the fingers of bellydancers and are played in time to the music as she dances. Bellydance and other related forms of Middle Eastern dance are the only ones in the world that utilize metal finger cymbals as part of the dance. (Flamenco, with its Moorish roots, is somewhat similar with its wooden castanets).

There are some bellydance teachers who feel that playing finger cymbals is such an essential part of bellydancing that it must be taught to the beginning student right from the first lesson. However, there are many excellent bellydancers who can’t play zils, or who don’t care to play zils, and still qualify as accomplished bellydancers.

Personally, I feel that mastering finger cymbals is well worth the effort (and believe me, for most of us, it is an effort in the beginning!). There are many benefits to acquiring this skill, such as:
*Increased dexterity and strength in your fingers, hands, and arms.
*Stress reduction from focusing your mind on the counterpoint  between the music and your zils.
*Improved coordination between mind and body.
*Exhilaration, from finally mastering bellydancing with finger cymbals!

Another benefit to playing zils while dancing is how an audience reacts to it. Although most women who study bellydance don’t plan on performing publicly, if the occasion does arise, playing zils adds an impressive dimension. I’ve done many performances that won over an indifferent audience simply because I could move and play finger cymbals at the same time!

Unfortunately, bellydancing still has a bit of the ‘seductress’ image attached to it. That can be fine for nightclub, theatrical, or private performances, but it’s not appropriate for family audiences. For family audiences, playing zils takes people’s minds off that pre-conceived image and impresses on them the amount of dedication that goes into mastering the dance. They can see that it is a real art form, and seeing that helps focus their attention away from the dancer’s physical attributes and onto the artistic interplay of brass cymbals, music, and movement.

I do encourage my students to learn how to play finger cymbals, but I’m not a believer in having them use zils in their first lesson. I like to have the students get familiar with belly dance music and the basic belly dance movement vocabulary first. But once that’s accomplished, usually by the intermediate level, I encourage students to give finger cymbals a try. To zil or not to zil is a question that each dancer has a right to decide for herself. Either way, zils or no zils, her bellydancing can still be great.

A Quantum Leap Forward in Dance

Monday, March 9th, 2009

Watching some of the popular TV dance shows lately, it’s been great to see so many dancers with superb technique and a mastery of a variety of dance styles. People today are exposed to more excellent dancing than ever before. This is especially true because of the development of video, DVDs and the Internet. Dance students, teachers, and choreographers now have unparalleled educational tools provided by these technologies.

These days, we can sit in the comfort of our homes or studios and analyze the finest performances and instruction from the best dancers of every dance genre from around the world. Before the video and Internet revolution, you could attend a performance or class and when it was over, it was gone forever. Even if someone filmed it, the technology of the time required a film projector and darkened room to view it again – not very convenient! If you saw a dance on TV or in a movie, it was not always easy or even possible to see it again.

Now with video/DVD recorders and computers, you can copy dances from television, the Internet, video cameras, and other sources. You can then watch them over and over, and even view the movements in slow motion to see exactly how they’re done.

With so much excellence and inspiration in dance widely available, it’s no surprise to see so many accomplished dancers, and to see so much fusion of dance styles. Bellydance, African dance, and Latin dance, to name a few, have had a noticeable influence in today’s dance scene.

Of course, as a bellydancer, I’m especially excited by how bellydance movements and costume elements are being used so extensively in ballroom, modern, ballet, hip-hop, and other popular dances! Modern technology and traditional arts are sparking a quantum evolution in dance and it’ll be interesting to see where it lands us next.