Archive for the ‘Belly Dance Steps and Moves’ Category

Shimmy Magic

Friday, April 30th, 2010

Perhaps one of the most fun movements in bellydancing is the shimmy. For bellydancers, it feels just great to be able to shake and vibrate with this life-affirming move (for the health benefit of shimmies, see my blogs “All Shook Up” and “Good Vibrations – Shimmy On”). Audiences love shimmies too, and I’ve always marveled at their awe and enjoyment at seeing a belly dancer do a beautifully executed shimmy. I’ve marveled because there are many other moves in bellydance that require more skill to do, but audiences react with such excitement to the exuberance of even the most basic of shimmies.

There are many types of shimmies in bellydance, but for most bellydancers the easiest to do are the basic hip shimmies. These are the most commonly performed and despite their relative simplicity, they’re dynamic movements. The basic hip shimmy can be done either as an isolated forward & back (horizontal twisting) motion of the hips, or an up & down (vertical) motion of the hips. Each individual dancer will find that either the horizontal hip shimmy or the vertical hip shimmy is easier to do. I always tell my beginning students that it doesn’t matter which one they prefer. Both shimmies look virtually identical, so what’s important is that the student tries both and then practices the one that feels the most natural for her body type and is the easiest to do. More experienced bellydancers may want to master both shimmies so they can perform advanced layering techniques and sustained shimmy sequences. Of course, if any of the other belly dance shimmies are preferred by a dancer (shoulder shimmies, knee vibration shimmies, etc.) that’s OK too.

You’ll find that whether you’re shimmying by yourself or receiving an enthusiastic response from an appreciative audience, shimmies are some of the most magical of all belly dance moves.

Perfecting Your Undulations

Friday, April 23rd, 2010

Torso undulations are a signature movement of traditional and modern bellydance.  In my method of belly dance instruction, I teach the torso undulation (specifically the upper torso undulation, often called a ‘camel’) as one of the core foundation movements.  In fact, if I had to choose one move as ‘the’ most important in the classic belly dance vocabulary, I would choose the upper torso undulation.

An undulation is a wave motion, a fundamental form of energy found in nature and throughout the universe.  Sound, water, and light move in waves and practicing undulations can entrain our mind and body to the symmetry and power of this universal energy.  On a more mundane level, the undulation is fantastic exercise for the physical body.  It manipulates the spine, vertebrae by vertebrae, in a gentle but thorough manner.  It targets core muscles and works many other muscles between the neck and pelvis.  Because it rhythmically moves and massages the spine and spinal cord, it has both a relaxing and energizing effect on the central nervous system, soothing and empowering your spirit and emotions.  In addition, the undulation is fun to do and is such a gracefully beautiful movement that belly dancers look and feel beautiful performing it.

Most belly dance instructors favor one method or another for teaching the upper torso undulation.  I developed a method in the mid-70’s that has been very successful in helping my students to learn the undulation quickly and easily.  In this approach I have the students first learn the focal point of the move – the vertical ribcage circle.  Once the vertical ribcage circle is accomplished, it’s easy to allow the lower torso to naturally follow the ribcage in opposition, completing the movement (for a more detailed break-down of my method of undulation instruction, go to: http://www.bellydancingvideo.com/ribcage-circles.htm).  The circular move of the upper torso followed by a similar, but opposite move in the lower torso creates the wave effect that characterizes the essence of a torso undulation.

The instruction that I (or other teachers) give is a basic roadmap to a movement.  Everyone is unique and each student needs to take that roadmap and modify it to her own body type, personality, and belly dance style.  So when I tell a student to create a vertical circle with her ribcage, it doesn’t have to be a perfect 360-degree circle.  For example, on some body types, a ribcage circle that is more oblong vertically, or more oblong horizontally, may look and feel better to that particular individual.  Or a slight change in the positioning of the feet may make an improved motion.  In any event, the basic points of a movement roadmap are very important to follow, but all moves can, and should, be slightly modified for each bellydancer.

To perfect your belly dance movements, it’s important to first follow the roadmap given by a competent belly dance instructor.  After you understand the basic roadmap, you can experiment and polish the belly dance move to best fit your body type and personality.  Once the move feels and looks right on you, you’ve got it mastered for your own personal expression of bellydance.  How perfect is that?

Exercising Here & There

Monday, January 18th, 2010

Almost every week I hear of some new medical or scientific research confirming the importance of incorporating exercise into our lives. There seems to be no disputing the fact that exercising on a regular basis is absolutely necessary if you wish to be healthy, happy, and youthful.

Perhaps the hardest part of putting together a regular exercise regimen is finding a workout that’s effective (for me, it’s bellydancing), something that’s enjoyable (bellydancing again!), and finding the time to do it. Many Americans have less leisure time than ever, and it’s really challenging to fit exercising into a life that’s already too hectic. I talked about this a bit in my blog ‘3 Minute Belly Dance Workout’, but sometimes we can’t seem to fit even 3 minutes into our schedule. This is where multi-tasking comes in handy, and boy, some of my fellow bellydancers and students have come up with some very creative ways to multi-task with belly dance exercise. Here’re some of the ways they’ve managed to work out a bit without taking any extra time out of their day.

Driving: Many people spend a great deal of time sitting behind the steering wheel of their car. Some bellydancers use this time to practice small isolated movements like ribcage slides, lifts & drops, ribcage circles, belly rolls, and even stomach flutters. The idea is to work the muscles deep, but in small moves. This way you don’t affect your driving negatively, yet you still can exercise the core of your body in a full range of motion.

Sitting at a desk: As with driving, you can exercise your core with isolated ribcage and belly techniques as you sit. You can also do head slides & rolls and shoulder rotations.

Watching TV: Sometimes you just feel like you have to turn off your brain, collapse on your sofa, and turn on the TV. Yet this doesn’t have to be non-productive time. While you’re watching the tube you can sit up and do all of the belly dance moves I already mentioned. You can also do arm techniques such as arm waves (snake arms), hand waves, wrist rotations, and finger ripples.

Cooking: While you’re standing at the stove or microwave waiting for the water to boil or food to heat up, you can practice any standing belly dance technique such as hip moves, shimmies, and level changes. Why just stand there doing nothing?

Walking from room to room: If you’re home alone (or if you have family members/roommates who won’t laugh at you!), practice your traveling steps like the basic walk or walking shimmy. If you’re going to go from the living room to the kitchen, get a little exercise while you’re at it.

Standing in the checkout lane: This one is popular in the colder climates. If you’re standing in the checkout lane at the store and you’re covered in sweaters and a heavy coat, you can practice your belly rolls. If you do the belly roll correctly, no one will even notice you’re moving (I’m originally from Wisconsin and it’s true, we northern girls do it in our fur parkas!).

Showering & bathing: It’s fun to do torso undulations in the shower. Place your back under the showerhead and undulate your torso vertebrae by vertebrae. The water will massage your spine sequentially from top to bottom and it feels great! While bathing and reclining in the tub, you can practice belly rolls and stomach flutters. Many students have told me they’ve mastered the flutter this way, probably because the warm water made them so relaxed and comfortable.

It’s fun to think up new ways on how you can practice your belly dance moves while you’re doing other activities. By multi-tasking, not only do you ‘sneak’ in a little exercise, but you’re also training your body to do belly dance moves better. That’s because the more you repeat a movement, the more it becomes an automatic part of your muscle memory. A little practice ‘here and there’ really adds up. You can have a healthier body and become a more accomplished bellydancer without taking any extra time out of your busy life.

Beautiful Arms – Strong Heart

Sunday, October 18th, 2009

I recently read an interesting article by Dr. Susan Lark. She talked about how orchestra conductors live longer and healthier lives than other musicians – because of the ‘wing flapping’ motions that they do with their arms while they’re conducting music! According to Dr. Lark, research has shown that upper body movements provide better cardiovascular effects than lower body movements like running and walking.

Using the arms and upper body engages the muscles that control the chest and lungs. When these muscles and the lungs are energetically worked, you breath deeper and oxygen courses through your body. This in turn causes your heart to pump stronger, giving you cardiovascular benefits.

In bellydancing, hip and torso moves  are predominant, but the arms are very important too. They are used to either frame the dancer’s body with beautiful arm poses or are moved in graceful patterns. Of course, in bellydancing we don’t ‘flap’ our arms like orchestra conductors. Nonetheless, belly dance arm circles, arm waves (snake arms), and shoulder techniques are great for getting the heart rate going. The aerobic effect is even stronger if the arm poses or movements are used at waist level or at higher positions.

For additional aerobic effects from your bellydancing, you can also dance to faster tempos with energetic moves like shimmies, staccato moves, level changes, and traveling steps. Rolling, undulating and vibrating motions of the torso help drive your increased oxygen intake to every part of the body, fueling your cells even more efficiently.

By practicing strong and graceful arm work, you’ll add a beautiful finishing touch to your dance and get more cardiovascular benefits too. Whether you’re bellydancing or just working out, let your arms take flight to a strong and healthy heart♥

’3 Minute’ Belly Dance Workout

Tuesday, September 29th, 2009

Sometimes I know I should exercise, but either I feel like I don’t have the time or I just don’t feel like working out. In most instances, I realize that I do have time for 3-4 minutes, which is the length of many belly dance songs. So even if I don’t feel like working out, I’ll play one song and start moving.

The moves I usually do are circular, rolling movements like circles and figure 8’s of the hips and ribcage, undulations, head and shoulder rotations, and body vibrations (see my blog “Good Vibrations – Shimmy On”). These moves give me the most ‘bang’ for my workout ‘buck’. Because circular belly dance movements work in a full range of motion (360 degrees of direction), my muscles get thorough, condensed exercise, especially in the all-important core area. I know I’m not going to get an aerobic workout in 3-4 minutes, but I can get my circulation going and massage my stressed muscles and joints.

For me, the 3-minute workout almost always tricks me into doing a much longer workout. Usually by the time my first song is over, I’m enjoying myself so much that I just let the music continue to play, and before I know it, 10 songs (about 30-40 minutes or more) have just flown by. That’s what happens when you’re having fun!

So even if I just bellydance for 3 minutes, I know that I’m getting the most out of my time by doing full range of motion and vibrating movements. The enjoyment factor usually insures that I end up dancing longer than 1 song and getting an aerobic workout too.

Like Learning to Drive

Friday, August 21st, 2009

I often tell my belly dance students that if they can drive a car, they can learn how to bellydance. I usually mention this when they’re struggling to learn a basic belly dancing move like a torso undulation and are feeling frustrated that they’ll never master it. Since most of my belly dance students drive a car, they soon discover the analogy between driving and dancing.

Anyone who has a driver’s license remembers what it’s like learning how to drive. The first time you get behind the wheel, it seems overwhelming trying to remember all the things you have to do: control the steering wheel, work the gas and brakes pedals (add the clutch if you have a stick shift), and keep your eyes on the road, the traffic signs, and rear view mirrors, plus so much more. The first time you actually drive a car, the ride is jerky and uncoordinated and you have to practice in an empty parking lot or some other safe place. It takes lots of time and repetition to be able to drive smoothly and competently enough to drive in real traffic, but your safety depends on doing it right.

After plenty of practice, drivers can coordinate all these actions so well, that they can drive on busy highways and freeways without even consciously thinking about how they’re handling the steering wheel, brakes, turn signals, etc. By this point, the mechanics of driving have become automatic and drivers think nothing about doing all of this at the same time that they’re talking on their cell phones, singing to the radio, or looking at the scenery going by – even though driving is a potentially life threatening activity!

When you learn how to bellydance, you follow a similar learning curve. First you learn the basic moves and techniques and then you practice to simple songs. In the beginning it can seem overwhelming to coordinate all the different parts of the body, but over time the mechanics of the moves become automatic. At that point you can concentrate less on how the moves are done and more on the enjoyment of just dancing to your music. Like driving a car, each dance is a journey, but without the potential for harm. With bellydancing, you don’t have to worry about having an accident and you always feel great when you reach your destination. Fortunately, almost every student can master that.

Losing Weight with Bellydance

Sunday, July 26th, 2009

People often ask me if they can lose weight by bellydancing. The answer is that you can lose weight with any sustained physical activity if you eat a healthy, balanced diet and you don’t have any underlying medical problems.

Belly dance moves  include those that are slow and wave-like as well as those that are fast and angular. You can use belly dance moves in a sustained, aerobic workout and burn a lot of calories. If you burn enough calories, bellydance will help you lose weight as well as sculpt your muscles, increase your flexibility, and improve your circulation. However, if you eat more calories than you burn off with your bellydancing, you’ll still gain weight, even though your body will be in better condition.

I think that one of the most beneficial aspects of bellydancing for weight control is that it’s so good for stress reduction. There’s nothing like listening to your favorite music and dancing freestyle with moves that are fun to do. It really takes your mind off of the problems of your everyday life. Since over-eating is often caused by too much stress, anything that you can do to focus your mind on something pleasurable is very helpful.

With bellydance and proper diet, you can lose unwanted pounds as well as experience many other benefits. For many women, it the best ‘weight’ to go!

Bellydance – Naming the Moves

Monday, June 29th, 2009

Unlike other established dance forms, bellydance doesn’t have a standard language for the names of its dance moves. In America, bellydance has been around for over a century. It began with the 1893 World’s Faire in Chicago, when dance performers from the Middle East started a craze for Middle Eastern ‘bellydance’. Their performances were so popular and publicized that American entertainers copied them and the American style of bellydance was born.

We don’t know where or when the basic movements of bellydance originated (most likely many thousands of years ago), but the Near and Middle East preserved these movements through the Middle Ages and into modern times. Curiously, in the Middle East there are virtually no records of names for the movements. Middle Eastern women didn’t have dance schools to learn the dance – they simply learned as children by watching their families and neighbors dance at social gatherings.

Because most American bellydancers learn from dance schools and instructors, Americans have had to invent their own names for belly dance movements. Since the terminology of bellydance can vary widely from one instructor to the next, this can cause some confusion for students who study with a variety of belly dance teachers.

Personally, I like to make the name as descriptive as possible for each belly dance move that I teach, and then mention other popular names that are used. An example is the ‘camel’ move. The name is very confusing to a beginning student (am I supposed to move like a camel?). The ‘camel’ name has been in common usage for decades and it is actually a torso undulation. So when I teach the ‘camel’ move, I’ll call it a torso undulation (or more specifically, an upper torso undulation), but will also mention that it’s often called a ‘camel’.

It’s also confusing when a basic belly dance movement is referred to as Egyptian, Turkish, Lebanese, or some other ethnic name. For example, calling a basic hip shimmy an ‘Egyptian shimmy’ is misleading because the Turks, Syrians, Moroccans, and many others do it too, and have done it since time immemorial. So when I teach a hip shimmy, I’ll call it a horizontal hip twist shimmy (or, depending on the variation, an up & down hip shimmy) and also will mention that some people like to call it ‘such and such’.

When a teacher gives a belly dance movement a name that is as visually descriptive as possible, it makes it easier for the student to remember the technique and master the dance. For a student, a non-descriptive name doesn’t help to describe how the movement is done, but these names can sound exotic and are fun to use.

Most of us teachers are continuously evolving our teaching methods and it’s always great when someone comes up with an improved way of describing a belly dance move. Perhaps in another generation or two, bellydancers will finally settle on a universal language. Maybe it will be similar to the language of flowers: an ‘official’ name, along with other popular names (example: primrose (popular name) or Primula vulgaris (official Latin name).

We’ll see if a standardization of ‘official’ names evolves for bellydancing. A belly dance move by any other name would be as sweet, but could be more confusing.

Making the Dance Your Own

Wednesday, June 17th, 2009

One big reason that I’m attracted to bellydancing is because it’s usually improvised, allowing you to dance freestyle to your music as you feel it at the moment. In improvisation, you ‘go with the flow’ and each time you dance, it’s different.

I also like choreography, where the dance is planned out ahead of time. In choreography, each beat of the music has memorized movement set to it, and the movement sequence is identical each time you dance.

Bellydance is traditionally (but not always) performed as a solo improvisation. When the music plays, the dancer has to think, and respond, ‘on her feet’. To be able to do this, bellydancers first have to master the foundation movements and techniques of the art. Once that’s accomplished, you have the skills to improvise, dancing freestyle and interpreting the music from your own unique perspective.

Choreography is essential for most beginning belly dance students. It teaches the dancer valuable lessons on the structure of music, what movements are appropriate, and how moves flow one into the other. In bellydance, and other dance forms, choreographies are created by teachers, choreographers, or experienced dancers. Until you learn how to create your own choreographies, these dances are someone else’s concepts, as danced by you.

Once you have mastered the basic tools of the dance, you can dance freestyle and/or create your own choreographies (usually done by first dancing freestyle to your music and then taking notes). This is when you can truly makes the dance your own – something as unique as your personal fingerprint. Through the creative process of belly dance improvisation, you can really be yourself. It’s a hip thing to do.

Warming Up to Bellydance

Sunday, May 31st, 2009

It’s accepted wisdom that it’s important to ‘warm-up’ your body before doing prolonged physical activity. It’s especially important if that activity is strenuous and engages a lot of different parts of your body.

There’re many techniques that can be used in warming up, including stretching and other moves that increase your circulation, breathing, and heart rate. I’m with the school of thought that believes in not over-doing a warm-up, especially with stretching that is too extreme for cold muscles and joints. I like to save the deep stretches for the cool-down at the end of a workout, when the body is already warmed up.

My favorite warm-ups for any activity are (surprise, surprise) simple belly dance moves. Rolling hip and ribcage circles, undulations of the arms and torso, and traveling steps, all serve the requirements needed to circulate energy to every part of the body and to get the pulse rate up.

Circular belly dance moves are really effective because they engage the muscles and joints in a full range of motion, and fast staccato moves increase respiration. Using my favorite music also helps me relax and focus on my warm-up more fully.

When I teach a belly dance class, I don’t have to lose valuable class time by using warm-up moves that have no relation to bellydancing. Unless it’s a class for absolute beginners, I can start the class by going right into basic belly dance techniques. That way the students get both a fun warm-up and at the same time, a review of the all important core foundation belly dance moves.

So, no matter what physical activity I want to do, a few minutes of basic bellydancing gets me unkinked and ready to safely push myself harder and further with my workouts. I’m not alone – millions of women have also warmed up to the idea that bellydance moves are a hot addition to their fitness routines.