Are You a ‘Positive’ or a ‘Negative’?

April 29th, 2012

All people hold certain beliefs that influence virtually all of their actions.  These beliefs can be viewed as positive or negative.  For example, a positive set of beliefs could look like this:

1)    The world is a better place when all people have compassion for others as well as for themselves.

2)    It’s best when I create win-win situations in life (I win and so do other people).

3)    To grow as an individual, I only need to compete with myself.

4)    I don’t need other people to lose out to me in order for me to feel good about myself.

A negative set of beliefs looks like this:

1)  It’s a dog eat dog world and I look out only for myself because no one else will.

2)  To win at life, others have to lose out to me; the more they lose to me the better.

3)  I must compete with others, and win over them, to be a success in life.

4)  I must be better than every one else in order to feel good about myself.

If the majority of people in this world hold to a negative belief paradigm, we will almost certainly have a dog-eat-dog world.  Their belief systems will help create and maintain a harsh environment for themselves and all of us.  In the belly dance world, I see this mentality in dancers who are hyper-competitive and back stabbing.  Although this mind-set may deliver short-term benefits to the holder, it just creates a climate of stress and resentment all around.  Really, in the end, nobody wins any lasting peace or happiness with this mind-set and the quality of life is diminished for everyone involved.

However, when most people hold a positive view, we help create the kind of community that nurtures and sustains all of us.  I do believe that the vast majority of people are born with good hearts and intentions.  In our belly dance community, these positive people are the ones that give with their hearts, supporting others as well as themselves.  They make everyone feel valued,  keeping our dance scene harmonious, vibrant, and alive.

Whether we’re talking about our belly dance community, local community, or the global community, each individual plays a vital role.  We can choose to believe that people are inherently bad (hyper-competitive and selfish) or good (cooperative and nurturing).  Our choice in beliefs will show in everything we say and do.  That will be our contribution, positive or negative, to our belly dance community and our world at large.

 

Who’s Dance is This Anyway?

March 30th, 2012

Throughout the years I’ve seen different groups of people claim ‘ownership’ of bellydance.  Usually based on their ethnic or national origin, they claim bellydancing was invented by their ancestors and therefore bellydance is ‘their’ dance and belongs to no one else.  They consider their style of bellydance as the only authentic expression of the art and consider themselves as the ultimate arbitrators on how it should be performed.

Ironically, I’ve seen people from particular ethnic or national groups claim that bellydancing originated in their country, yet other people from the same country vehemently deny it.  The denials usually come from conservative religious factions that want no part of bellydance.  The ones that claim bellydance as theirs alone are often more secular and usually are making money from the dance (performing, selling belly dance supplies, arranging dance tours, etc.)

We may never know where bellydance first originated and it’s possible that it may have originated in more than one location. The impulse to move to music in a natural, harmonious, and beautiful manner is universal and not limited to any particular race or geographical area.  The Near and Middle East have preserved the belly dance movement vocabulary and philosophy throughout recent history, but we can’t discount influences from other earlier cultures.  (see ‘What is Bellydance’: http://www.bellydancingvideo.com/what-is-belly-dance.htm).

Who can claim ownership to ancient and fundamental modes of movement?  For all those who are drawn to the art that is bellydance, they are drawn to concepts that have transcended eons of time and national boundaries.  While giving credit to the wonderful cultures and individuals who have practiced and preserved bellydance, it’s doubtful that any one ‘owns’ this dance.  As we each participate in it, we become part of the dance itself and are the current links in its’ long and vibrant history (see ‘The Goddess is Dancing’: http://www.bellydancingvideo.com/goddess-is-dancing.htm).  Perhaps bellydance isn’t owned by any individual or group, but it is bellydance that ‘owns’ all of us who love it!

 

Bellydance – A Moving Meditation

February 27th, 2012

There’s no doubt about the benefits of meditation.  Study after study tells us that meditating on a regular basis profoundly improves our health physically, mentally, emotionally, and spiritually.  Whether you wish to reduce your stress levels, have more energy and vitality, enhance your creativity, or just to quiet the chatter of your mind to gain mental clarity, meditating is one of your simplest and cost-free methods.

The goal of meditation is to quiet your thoughts so that your mind can achieve a heightened level of peaceful awareness resulting in improved brain wave activity. There’re many different ways to meditate and everyone is different as to which approach works best.  Some meditation methods involve sitting quietly while others, such as Tai Chi, involve motion.  In most cases, the key to experiencing peaceful awareness is through gently focusing your attention on something, whether it is a mantra, measured breathing, music, or body movement.

Bellydancing can be a wonderful form of meditation, if you’re an experienced bellydancer.  To quiet your mind through bellydance, your belly dance movements must be automatic so that you can simply focus your attention on the music.  Using slow tempos and gentle, circular movements generally gives the best results.  You can create a blissful and relaxed state that makes you receptive to inspiration from your spirit and sub-conscious mind.

Achieving a meditative state through bellydance is usually not possible for beginning dancers – if you have to think about how to do your belly dance moves, there’s too much going on in your head and you can’t reach a meditative level.  However, once you’ve mastered belly dance moves, you can do them automatically without thinking about the mechanics involved and that’s when you can just focus your mind on the music and flow effortlessly to it.

Bellydance is good for the mind, body, and spirit.  That you can combine its physical and emotional benefits with a meditative awareness make bellydance a uniquely moving experience in so many ways.

 

She Works Hard For Her Money

January 27th, 2012

Thinking about becoming a professional bellydancer?  It can be a very fulfilling career, but be prepared to work hard!  Like other entertainers or artists in the U.S., most bellydancers don’t achieve ‘superstar’ status, but instead they do it for the love of their art.

In bellydancing even the top ‘superstars’ don’t make that much money on a consistent basis by just performing.  To make ends meet, they also have to run dance studios, maintain web sites, teach workshops (often having to travel quite a bit), sell dance supplies, and produce shows.  There’re no traditional benefits like paid sick leave, medical insurance, paid vacations, and pensions.  For entertainers there’s also the added pressure of having performance careers cut short because of ageism or body image issues. On top of all of that, in some conservative areas bellydancing and bellydancers are still not considered respectable.  It can be very challenging!

However, it’s a wonderful blessing to make money doing something that you enjoy so much and to be able to share it with like-minded people.  It’s an honest living where you can make many life-long friends and have interesting and exciting experiences.  Additionally, all the dancing that you practice does so much to keep you happy, healthy, and youthful.

If you’re considering a belly dance career, take time to carefully research all the pros and cons.  If you decide to go for it, it may be the hardest job you’ll ever love, but you probably won’t regret it.

 

‘Till Death Do Us Part

December 29th, 2011

One of the most enjoyable aspects of bellydancing is the costuming.  While it’s true that you can bellydance wearing everyday clothing or exercise gear, half the fun is dressing up in the belly dance costume style of your choice (see: http://www.bellydancingvideo.com/first-costume.htm).  Most bellydancers lovingly put together their costumes, either by making the costumes themselves, or purchasing them.  Either way, usually a lot of thought goes into the choice of style, color, jewelry, and fit.

Once a bellydancer completes her costume, she dances in it for a while and then may eventually sell it or give it away.  However, most bellydancers have favorite costumes that mean a lot to them and these are the ones that they keep.  These are the costumes that make a dancer feel especially attractive, glamorous, and exotic.   Just looking at them can bring back memories of the wonderful experiences she has had dancing in them.  They are a beautiful reminder of her participation in this ancient and artistic tradition.

Therefore it shouldn’t have been a surprise to me, when on a number of occasions, I contacted retired bellydancers about selling their costumes and was turned down flat.

This has occurred when students or friends have asked me to inquire about purchasing used costumes for them, especially the fabulous metal belts and accessories from Cost Less Imports*. I have contacted bellydancers that I knew were no longer active in the dance.  There were even occasions when I talked to elderly dancers who informed me that they were sick with terminal illnesses.  None of them could bear to part with their belly dance treasures!

I’ve discussed this issue with other bellydancers and they all express the same sentiment.  Whether they are dancing or not, they don’t want to part with their favorite belly dance costumes.  Some wish to pass them on to their family or friends, but mostly they want to hang on to this special part of their life and what it represents.  I understand it perfectly – no matter how old or infirm I may become, just looking at my belly dance costumes will always bring a smile to my lips and a wiggle to my hips.

 

* (Starting in the 1960’s, Cost Less Imports made hand crafted metal belly dance belts and accessories made of authentic coins, Swarovski crystals, mirrors, and semi-precious stones.  They are no longer making these items, so if you want any, you have to pay a premium for the few they have left in stock at www.costlesscostumes.com, or find used ones.)

 

Bellydancers – a Zest for Living

November 29th, 2011

Bellydancers come in all sizes, ages, and ethnicities.  I’ve met many bellydancers in my career and have noticed that most have something in common besides their obvious love for this dance form.  That something is a real passion for living and a desire to pursue that passion on their own terms.  Of all the various dances that exist, bellydance is certainly one of the most emotional and individually expressive.

In the 1970’s, when bellydancing was first becoming popular with large numbers of American women, the dance had a rather negative image to many people.  Much of the general public thought that bellydance was not respectable, that it was nothing more than a Middle Eastern strip tease or a way to ‘please your sultan’.  Dancers who understood bellydancing to be so much more than that faced an uphill battle for respect.  You had to have a thick skin to call yourself a bellydancer in those days!

However, bellydancers of that time and beyond persevered and by educating the public through their performances and classroom instruction, the image and understanding of bellydancing improved.  Today bellydance is mainstream and is known as a beautiful and beneficial art form that is taught in some of the most prestigious learning institutions in the country.  To come this far, bellydancers not only needed a thick skin, but also great conviction, persistence, and a passion for their art form.

Whether a bellydancer is a professional, a dedicated student, or hobbyist, this dance seems to attract people with a real enthusiasm for living and doing it their own way.  These are dancers who don’t let society or other people tell them how to enjoy their life.  If some people say that bellydancing isn’t respectable, these dancers say, “then don’t look – I dance for myself and others who love this art”.

Bellydancing not only attracts dancers who have an enthusiasm for life, the dance itself further enhances ones’ capacity to be happy, energetic, and healthy.  So the next time you see a belly dance performance or a class, look beyond the differences of body type, age, and dance style of each individual dancer and you’ll see the common thread of a passion for movement, joyful expression, and for life itself.  If you’re lucky, some of that zest for living may even rub off on you.

 

Tribal Bellydance – A Sense of Belonging

October 29th, 2011

People are social beings and cannot exist, physically or emotionally, without the support of other people.  Unlike bears in the wild, human beings need the support system of their own kind, their tribe.

Our desire to be part of a family, group, and community is strong in all of us and is hardwired into our DNA as part of our ability to survive and thrive.  I can think of few more enjoyable or healthy ways to satisfy this need and desire to bond with others than through music and dance.

Bellydancers have been dancing in groups and troupes for ages.  Whether the style of bellydance has been cabaret, ‘Gypsy’, ethnic, or other, dancers form a strong bond with each other in their shared participation in a troupe.

In the 1980’s a new version of troupe bellydancing was popularized and it was called tribal bellydance.  It utilized a new type of choreography that used a lead and follow method of directing the dance.  Tribal bellydance has continued to evolve, but it still uses the same classic movement vocabulary as other styles of bellydancing and has many other similarities as well.  The costuming in tribal bellydance is an adaptation of earlier fusion styles of ethnic and cabaret costuming (popularized by troupes in the 1960’s and 70’s such as Bal Anat and The Perfumes of Araby).  The traditional Middle Eastern music used in tribal bellydance is also used extensively in other belly dance styles.  However, more than other styles, most tribal bellydancers put an emphasis on their identification as part of a quasi-ethnic tribe.

When you do a classic improvised belly dance solo, you get in touch with your own individuality through your personal interpretation of the moves and music.  When you dance in a troupe, through the groups’ synchronization of movement to music, you can experience a feeling of connection or sisterhood with your fellow troupe members.  Most dancers find that this is a positive and fun expression of their need to belong.

Regardless of our tastes in choreography, music, and costuming, we can find like-minded bellydancers to dance with.  The bonding that occurs through shared movement and music can give us a sense of belonging to something bigger than, and just as important as, our individual selves.

 

Why I Call It ‘Magical Motion’

September 30th, 2011

When I was preparing my first belly dance instruction video in 1985, I struggled a bit in deciding on the name of its’ title.  At that time, bellydancing was very new to the instructional video market and I wanted to educate the public-at-large to the artistry and health benefits of this dance form.  I wasn’t focusing so much on the existing belly dance community: they already knew how wonderful the dance is.  However, the general public still had a long way to go in understanding what bellydancing was really about.

The first title issue to be addressed was the name of the dance itself.  Because my main focus was on the general public, I knew that the most recognizable name for the dance was ‘bellydance’.  But the question for me was how to add adjectives to my belly dance title that would easily convey the essence of all that bellydance offered.  For weeks I poured over the key words and phrases that define bellydance, such as:

*Natural, total body exercise * mind/body/spirit fitness * effective, full range of motion workout * lots of fun * low impact, non-injurious movement * the added healing benefits & incentive of music * stress reduction * increased vitality * feelings of accomplishment & self-esteem * connection to feminine energy * development of creativity & spontaneity * personal empowerment * opportunity to meet new friends.

As my list of key words and phrases grew and grew, it got harder to condense all that I wanted to convey in my title in just a few words.  I realized that there was just so much bellydancing can do that it seemed supernatural, just like magic.  This dance is motion.  Most dancers will tell you it feels like magic.  So for me, bellydance was then and still is, magical motion.

 

 

Bellydancing For Yourself or For Others

August 29th, 2011

 

Most beginning bellydance students start studying bellydance for their own personal enjoyment and improvement.  The majority of them take up the dance for fitness, as a creative artistic outlet, or just for fun.  To gain the benefits of bellydance, you have to master the moves, the techniques, and how to apply it all to music.  Bellydancing for your own personal improvement is very internal – you don’t need to think about anyone outside of yourself, only how you and your body feels and reacts to the music.

However, a funny thing often happens to belly dance students.  After they master the dance for themselves, they often decide to perform, to dance for others.  With performance opportunities available such as recitals, student nights at restaurants, and community fairs, many bellydancers decide to share the fun.

Performing bellydance for audiences requires additional skill sets as opposed to just dancing for yourself.  While dancing for yourself is arguably the most important reason to dance, this is just the beginning if you wish to perform.  Mastering the dance internally is critical to being able to project the dance externally to others.  If you’re dancing for an audience you must also focus on their needs and expectations.

Bellydancers who fail to ‘tune in’ to their audiences can bore them to death!  Instead of using the dance to connect the audience to the enjoyment of the music and the moment, the dancer holds them captive to the expression of her own inner world and feelings.  She’s really dancing for herself, albeit in a public space.  Unfortunately, many audience members couldn’t care less about the dancer’s own inner world and quickly lose interest in the performance.  Learning how to tune in to an audience’s needs and expectations and to entertain them is an art form in itself!

If you decide to perform bellydance for others, learn how to bellydance for yourself first.  This is how you can forge the deepest connection between your body, the movements and the music.  Once you have that solid foundation, practice until it becomes second nature to you.   It’s then that you can turn your attention to the energy and mood of an audience and use your personal skills to forge a connection between your dance, the music, and others.

 

The Global Bellydancer

July 28th, 2011

In the 1800’s, classic bellydance as we know it today, was practiced mainly by the native populations of the Near & Middle East.  Later that century, Middle Eastern bellydance was introduced to America at fairs and expositions, the most famous being the 1893 Chicago World’s Fair.  The Middle Eastern dancing performed at the Chicago Fair created a sensation in the U.S. and inspired thousands of American women to bellydance (see my article, ‘The Phenomenon of the American Bellydancer‘).  Since then, bellydancing has continued to grow here and around the world in both popularity and stylistic expression.

The last 30 years have seen an interesting development in bellydance: an accelerated infusion of dancers from diverse cultures from all corners of the globe. Now you can see bellydancers from China to Brazil, Europe to Australia, and everywhere in between. To a large extent, this has to do with the growth of satellite TV, international distribution of videos and DVDs, and the Internet.  People can now view bellydancers from virtually any country at any time.  This has inspired many people to take up the dance.  It has created the phenomenon of the global bellydancer – dancers who utilize the traditional movement vocabulary and techniques of the classic Middle Eastern dance flavored with influences from their own culture.

For example, Russian dancers have fused the authentic movement vocabulary of belly dance with the precise technical perfection of Russian ballet.  American dancers have analyzed and organized the bellydance movement vocabulary into specific teaching methods as opposed to the informal Middle Eastern method of learning by watching friends and relatives dance.  Americans have also felt free to expand the creative expression of the dance, such as enhanced veil work, most likely because of their exposure to the multitude of cultures in the melting-pot society of the U.S.

Today bellydance has many styles, and even the most traditional Middle Eastern styles are evolving as all improvisational creative arts do.  Our world seems to be growing smaller as our planet develops a truly global community and that community is beautifully reflected through the myriad artistic expressions of the global bellydancer.