Get on Your Knees and Bellydance

February 15th, 2010

Bellydance is an exceptionally good workout for your entire body and is especially beneficial for your core. However, if you wish to intensify the exercise benefits for your legs, belly dance moves that utilize level changes and ‘floor work’ need to be added to your routines.

When you do belly dance moves that bend your knees and lower your center of gravity, your leg muscles get increased activity. To further intensify this effect you can do floor work, which is dancing while kneeling, sitting, or reclining on the floor. The deeper your level change and the closer to the floor you get, the more strenuous the leg exercise becomes (and the more difficult it is). Of course, as with all our belly dance moves, it’s always important to pay close attention to your body and not push yourself to the point of injury.

Many belly dance moves can be done either with the knees straight or with the knees bent. Bending your knees up and down as you do hip moves, torso isolations, and arm or upper body techniques, will add variety to your bellydance as well as target your leg muscles. Bending the knees to the point where one knee or both knees touch the ground brings you into the realm of floor work (best done on a carpet). While kneeling with both knees touching the ground you’ll notice the intensified effect in the upper legs and glutes as you do hip twists, shimmies, circles, etc., especially if you raise and lower your hips as you do so. Doing torso undulations in this position also deeply works this area as well as effectively working your core.

There are many other floor work techniques in the kneeling, sitting, or reclining positions that you can do to thoroughly sculpt your legs and glutes. So if you wish to focus on more than just your core and upper body, get down on your knees and bellydance.

A Trick of the Bellydancer’s Trade

February 1st, 2010

While talking with a musician friend of mine recently, he told me about a little ‘trick’ he uses to get himself to practice his guitar more often. Like most of us, he has a very busy schedule and often feels too distracted to think about practicing. To overcome this, he’ll leave his guitar in a very conspicuous place in his bedroom so that he sees it often and can easily pick it up to play it. This trick works well for him and he finds that he does practice more regularly because his guitar is not ‘out of sight and out of mind’.

We bellydancers can do the same trick using the tools of our trade. For example, belly dance hip scarves are beautiful with their colorful fabric and shiny coins. Draping them nicely in a noticeable area of our dancing space will catch our eye every time we enter the room. This will make it more likely that we’ll take a few moments to put our hip scarf on and dance a bit (and every little bit helps for exercise and stress reduction!).

We can also display our veils and finger cymbals where we can easily access them. They add a wonderful and exotic touch of décor to our living space and they help remind us that we are beautiful bellydancers. When our belly dance accessories are not ‘out of sight and out of mind’ they seem to call to us and to say, “Put me on – let’s belly dance!” And because they’re so much fun and so beautiful, we usually do.

Exercising Here & There

January 18th, 2010

Almost every week I hear of some new medical or scientific research confirming the importance of incorporating exercise into our lives. There seems to be no disputing the fact that exercising on a regular basis is absolutely necessary if you wish to be healthy, happy, and youthful.

Perhaps the hardest part of putting together a regular exercise regimen is finding a workout that’s effective (for me, it’s bellydancing), something that’s enjoyable (bellydancing again!), and finding the time to do it. Many Americans have less leisure time than ever, and it’s really challenging to fit exercising into a life that’s already too hectic. I talked about this a bit in my blog ‘3 Minute Belly Dance Workout’, but sometimes we can’t seem to fit even 3 minutes into our schedule. This is where multi-tasking comes in handy, and boy, some of my fellow bellydancers and students have come up with some very creative ways to multi-task with belly dance exercise. Here’re some of the ways they’ve managed to work out a bit without taking any extra time out of their day.

Driving: Many people spend a great deal of time sitting behind the steering wheel of their car. Some bellydancers use this time to practice small isolated movements like ribcage slides, lifts & drops, ribcage circles, belly rolls, and even stomach flutters. The idea is to work the muscles deep, but in small moves. This way you don’t affect your driving negatively, yet you still can exercise the core of your body in a full range of motion.

Sitting at a desk: As with driving, you can exercise your core with isolated ribcage and belly techniques as you sit. You can also do head slides & rolls and shoulder rotations.

Watching TV: Sometimes you just feel like you have to turn off your brain, collapse on your sofa, and turn on the TV. Yet this doesn’t have to be non-productive time. While you’re watching the tube you can sit up and do all of the belly dance moves I already mentioned. You can also do arm techniques such as arm waves (snake arms), hand waves, wrist rotations, and finger ripples.

Cooking: While you’re standing at the stove or microwave waiting for the water to boil or food to heat up, you can practice any standing belly dance technique such as hip moves, shimmies, and level changes. Why just stand there doing nothing?

Walking from room to room: If you’re home alone (or if you have family members/roommates who won’t laugh at you!), practice your traveling steps like the basic walk or walking shimmy. If you’re going to go from the living room to the kitchen, get a little exercise while you’re at it.

Standing in the checkout lane: This one is popular in the colder climates. If you’re standing in the checkout lane at the store and you’re covered in sweaters and a heavy coat, you can practice your belly rolls. If you do the belly roll correctly, no one will even notice you’re moving (I’m originally from Wisconsin and it’s true, we northern girls do it in our fur parkas!).

Showering & bathing: It’s fun to do torso undulations in the shower. Place your back under the showerhead and undulate your torso vertebrae by vertebrae. The water will massage your spine sequentially from top to bottom and it feels great! While bathing and reclining in the tub, you can practice belly rolls and stomach flutters. Many students have told me they’ve mastered the flutter this way, probably because the warm water made them so relaxed and comfortable.

It’s fun to think up new ways on how you can practice your belly dance moves while you’re doing other activities. By multi-tasking, not only do you ‘sneak’ in a little exercise, but you’re also training your body to do belly dance moves better. That’s because the more you repeat a movement, the more it becomes an automatic part of your muscle memory. A little practice ‘here and there’ really adds up. You can have a healthier body and become a more accomplished bellydancer without taking any extra time out of your busy life.

Bellydancing In Stilettos

January 3rd, 2010

There’re no hard, fast rules about what type of footwear must be worn for bellydancing. However, the fact that bellydancing is thousands of years old tells us that originally dancers did not wear high heels. The oldest depictions of bellydancers show dancers in bare feet or sandals and in fact, many modern day bellydancers (myself included) prefer to bellydance this way. Dancing with bare feet is natural and comfortable and is the healthiest for your body. When it’s not practical to bellydance bare footed, sandals or low-heeled shoes are the next best things.

Some times belly dance students are surprised and somewhat confused when they see a bellydancer performing in sky-high heels, or when they see photos of models in belly dancing costumes wearing tall stilettos. They can tell that it’s not a comfortable way to dance and isn’t based on tradition. While stilettos may look ‘sexy’, they can take a tremendous toll on your body. Here are some of the conditions that wearing high heels can cause: foot deformities (hammertoes, corns, calluses, “pump bump”), back problems, knee osteoarthritis (a painful, degenerative joint disease), ankle sprains and breaks, pain in the ball of the foot (metatarsalgia), and nerves tumors between the toes (neuromas). How sexy is that?!

I tend to look at the excessive wearing of very high heels as a modern version of Chinese foot binding. Because of the discomfort, pain and damage stilettos can do to the body, the only reason most women wear them is that they’ve been conditioned to see high heels as ‘sexy’. There’s nothing wrong with being sexy, but there’s a time and place for everything. So maybe for the occasional party, nightclub, or bedroom love fest, stilettos can be fun. At least in the bedroom, if they have the desired effect they won’t stay on your feet very long!

For bellydancing, your costume choices are yours to make. But if you recognize that a healthy body is what’s truly sexy, then you may want to ditch the stilettos. I imagine that someday in a more enlightened future, people will look at the fashions of today and wonder why women chose to totter around on the balls of their feet with sticks under their heels. I don’t want to be one of the women they shake their heads in bewilderment at. Especially when I’m bellydancing, I like to have my feet flat on the ground.

Sword Dance – The Cutting Edge

December 7th, 2009

I’ve produced many bellydance shows with a large variety of belly dance styles and one of the most consistently popular dances for audiences is the sword dance. In a sword dance, the performer manipulates a sword in dramatic ways, uses it to frame her belly dance movements, and balances it on various parts of her body while she’s in motion.

People often ask me if we use real (sharp!) swords. The answer is that it depends on the dancer, but usually decorative (not sharp) swords are used. However, there are exceptions.

The sword that I use for bellydancing is decorative, but it looks ‘real’. Even though it doesn’t have sharp edges, the point on it can do some damage and the sword itself is heavy. I learned the hard way that it must be kept away from people at performances, especially children. Everyone seems fascinated with the sword and people can get hurt playing with it, especially if they start swinging it around.

A real, sharp sword compounds the danger factor exponentially. I had a friend named Kali’ma (not her real name) who was a great dancer. She used a real sword and kept the edges sharp. She’d test it out every once in a while when she had to chop vegetables in her kitchen. I didn’t need to pick up her sword to know how sharp it was – I saw her cut herself during several different performances over the years. When blood runs, you know the sword is real.

One year I was a judge for a belly dance contest in Chicago, and Kali’ma was one of the contestants. For her performance, she did her sword dance. As a judge, I was sitting in the very first row, right in front of the stage. I got a little nervous when I first saw Kali’ma pull out her sword, but that was nothing compared to how I felt when she held the hilt in one hand in front of her and started spinning like a whirling dervish. At that point (no pun intended) I realized that if the sword slipped out of her sweaty little paw, I could end up like Marie Antoinette. I instinctively sunk low in my chair and kept my head down. At the end of her dance, I breathed a sigh of relief and looked around. To my surprise, the entire section of audience behind me had noticed my reaction, figured out Kali’ma’s sword was real, and hunkered down too!

I advocate individual choice when it comes to bellydancing styles. However, if a dancer really wants to dance with a sharp sword, I think it’s better she does it in private or else is very, very careful (as Kali’ma always was). Whether I’m bellydancing with a sword or sitting in an audience, a decorative sword that just looks like the real thing is edgy enough for me.

(The subject of this blog was suggested by my friend and student, Alicia Brown – kudos also to Kali’ma!)

Your Private Dance Oasis

November 28th, 2009

Women are very busy and have many responsibilities these days. It can be difficult to set aside a little time to relax and rejuvenate. One thing I love about bellydancing is how little time and space it can take to get in some much needed exercise and R&R. As I mentioned in my blog “3 Minute Workout”, it doesn’t take a great deal of time to exercise your body in a full range of motion and to reduce stress by bellydancing to your favorite music.

You don’t need a lot of room either. Because many belly dance movements are so internal and condensed, you can get a full body workout right where you stand. There have been times when I’ve had to make do with a small corner of my bedroom for my R&R ‘get-away’, and it works. The one critical element for the relaxation part of the equation is that you have a space where you can close the door and not be disturbed! If you want to relax by losing yourself in your dance and music, it’s hard to do if people are distracting you or clamoring for your attention.

I think everyone deserves at least a few minutes a day where they can leave their responsibilities and concerns behind. With bellydancing, all you need is a few songs and a small private space where you can close the door. If you have your private space, you may need a sign for the door to remind your family/roommates to give you some private time. The sign could say “Do Not Disturb – Bellydancing in Progress” or “Caution – Bellydancer at Work”. If your family/roommates are especially pesky, you might want it to read “Beware – Bellydancer With Sword” to really get your message across!

Whatever it takes, do yourself a favor and create your own space where you can go for a while to dance to get refreshed and recharged. You and your loved ones will all benefit from your get-away to your private dance oasis.

To Zil or Not to Zil

November 13th, 2009

Zils (or zills, finger cymbals, sagat, etc) are small brass cymbals that are worn on the fingers of bellydancers and are played in time to the music as she dances. Bellydance and other related forms of Middle Eastern dance are the only ones in the world that utilize metal finger cymbals as part of the dance. (Flamenco, with its Moorish roots, is somewhat similar with its wooden castanets).

There are some bellydance teachers who feel that playing finger cymbals is such an essential part of bellydancing that it must be taught to the beginning student right from the first lesson. However, there are many excellent bellydancers who can’t play zils, or who don’t care to play zils, and still qualify as accomplished bellydancers.

Personally, I feel that mastering finger cymbals is well worth the effort (and believe me, for most of us, it is an effort in the beginning!). There are many benefits to acquiring this skill, such as:
*Increased dexterity and strength in your fingers, hands, and arms.
*Stress reduction from focusing your mind on the counterpoint  between the music and your zils.
*Improved coordination between mind and body.
*Exhilaration, from finally mastering bellydancing with finger cymbals!

Another benefit to playing zils while dancing is how an audience reacts to it. Although most women who study bellydance don’t plan on performing publicly, if the occasion does arise, playing zils adds an impressive dimension. I’ve done many performances that won over an indifferent audience simply because I could move and play finger cymbals at the same time!

Unfortunately, bellydancing still has a bit of the ‘seductress’ image attached to it. That can be fine for nightclub, theatrical, or private performances, but it’s not appropriate for family audiences. For family audiences, playing zils takes people’s minds off that pre-conceived image and impresses on them the amount of dedication that goes into mastering the dance. They can see that it is a real art form, and seeing that helps focus their attention away from the dancer’s physical attributes and onto the artistic interplay of brass cymbals, music, and movement.

I do encourage my students to learn how to play finger cymbals, but I’m not a believer in having them use zils in their first lesson. I like to have the students get familiar with belly dance music and the basic belly dance movement vocabulary first. But once that’s accomplished, usually by the intermediate level, I encourage students to give finger cymbals a try. To zil or not to zil is a question that each dancer has a right to decide for herself. Either way, zils or no zils, her bellydancing can still be great.

An Email From the Middle East

November 1st, 2009

Several years ago I received an email from a woman in the Middle East. She was contacting me to let me know that she enjoyed my bellydance instruction videos. As nice as it was for me to read those words, it was what she said next that really grabbed my heart. She thanked me for the work I’d done to help keep bellydancing alive in the world. She went on to say that in her part of the world, it was becoming increasingly difficult to practice bellydance because of religious opposition. Since she and her fellow countrywomen loved to bellydance, but couldn’t do so openly, she was happy to see it carried on elsewhere.

I was so touched by this woman’s incredible graciousness. Some people in her situation would react with resentment or jealousy – it can be hard to be happy for someone when your own heart is broken.

I wonder how many times religious or political repression has driven bellydance out of certain cultures and geological areas, only to have it seeded in some other far-away place. The “Gypsy” Romani people migrating out of northern India and into the Mid East and Europe is one example, but over the millennia there probably have been very many.

To this very special Middle Eastern woman I say ‘thank you!’ right back. If bellydancers in the West have attained great heights it’s because we stand on the shoulders of giants. Middle Eastern women have carried the torch of this dance for a very long time. With any luck, they will continue to do so, with their other hand holding ours, as we dance this divine dance together, now and forever.                                                                                                 ♥♥

Beautiful Arms – Strong Heart

October 18th, 2009

I recently read an interesting article by Dr. Susan Lark. She talked about how orchestra conductors live longer and healthier lives than other musicians – because of the ‘wing flapping’ motions that they do with their arms while they’re conducting music! According to Dr. Lark, research has shown that upper body movements provide better cardiovascular effects than lower body movements like running and walking.

Using the arms and upper body engages the muscles that control the chest and lungs. When these muscles and the lungs are energetically worked, you breath deeper and oxygen courses through your body. This in turn causes your heart to pump stronger, giving you cardiovascular benefits.

In bellydancing, hip and torso moves  are predominant, but the arms are very important too. They are used to either frame the dancer’s body with beautiful arm poses or are moved in graceful patterns. Of course, in bellydancing we don’t ‘flap’ our arms like orchestra conductors. Nonetheless, belly dance arm circles, arm waves (snake arms), and shoulder techniques are great for getting the heart rate going. The aerobic effect is even stronger if the arm poses or movements are used at waist level or at higher positions.

For additional aerobic effects from your bellydancing, you can also dance to faster tempos with energetic moves like shimmies, staccato moves, level changes, and traveling steps. Rolling, undulating and vibrating motions of the torso help drive your increased oxygen intake to every part of the body, fueling your cells even more efficiently.

By practicing strong and graceful arm work, you’ll add a beautiful finishing touch to your dance and get more cardiovascular benefits too. Whether you’re bellydancing or just working out, let your arms take flight to a strong and healthy heart♥

‘3 Minute’ Belly Dance Workout

September 29th, 2009

Sometimes I know I should exercise, but either I feel like I don’t have the time or I just don’t feel like working out. In most instances, I realize that I do have time for 3-4 minutes, which is the length of many belly dance songs. So even if I don’t feel like working out, I’ll play one song and start moving.

The moves I usually do are circular, rolling movements like circles and figure 8’s of the hips and ribcage, undulations, head and shoulder rotations, and body vibrations (see my blog “Good Vibrations – Shimmy On”). These moves give me the most ‘bang’ for my workout ‘buck’. Because circular belly dance movements work in a full range of motion (360 degrees of direction), my muscles get thorough, condensed exercise, especially in the all-important core area. I know I’m not going to get an aerobic workout in 3-4 minutes, but I can get my circulation going and massage my stressed muscles and joints.

For me, the 3-minute workout almost always tricks me into doing a much longer workout. Usually by the time my first song is over, I’m enjoying myself so much that I just let the music continue to play, and before I know it, 10 songs (about 30-40 minutes or more) have just flown by. That’s what happens when you’re having fun!

So even if I just bellydance for 3 minutes, I know that I’m getting the most out of my time by doing full range of motion and vibrating movements. The enjoyment factor usually insures that I end up dancing longer than 1 song and getting an aerobic workout too.